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Margaret Qualley in The Substance (2024)

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In Coralie Fargeat's new feminist terror flick The Substance, hazardous social appeal criteria are the actual creatures. They (women objectification, the fingertip of "the aged," the proliferation of a field built on body customization) nourish a beast of a cycle that leads Demi Moore's fading TV individual character Elisabeth https://rashaan-nallfilms.wikifordummies.com/8153806/the_substance

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